DUANJU  NEWS

British journalist Jen Cooper met with Noah Fearnley, one of the most recognizable faces in Western Duanju. Behind a presence now familiar to millions of viewers, the American actor offers a candid account of his career, his relationship to work, and how the vertical format has profoundly changed his life. Noah Fearnley wasn't destined for acting. He grew up in Connecticut, moved between several American cities, and envisioned himself primarily in American football, with the

On the heights of Goudes and Callelongue, in the heart of the calanques of Marseille, facing the island of Maïre, two anachronistic figures reenact the comedy of the Middle Ages. This is Jean-Pierre Castaldi who plays a massive, gruff but kind-hearted knight, accompanied by a squire overflowing with energy played by Jordan De Luxe. Together, filming for the series King Gandolfi , they revive the spirit of the great adventure duos. The scene unfolds against a backdrop of limes

Amid the hustle and bustle of American studios, one actor quickly made the leap into duanju: Michael Vaccaro. A New Yorker living in Los Angeles, he started out as a child, working in films, commercials, and theater, before finding himself, like many others, interrupted by the health crisis and the strikes that paralyzed Hollywood. It was then that he discovered a new playing field: verticals, or duanju, short fictions designed for mobile devices. As the first American vertic

On journalist Jen Cooper 's Vertical Drama Love channel, actress Juliette Cécile looks back on her unique career, her notable characters and her way of inhabiting the vertical format. A former French teacher, Juliette Cécile discovered film sets in the United States almost by chance. Spotted for a small role in a blockbuster, she found a new calling there. She quickly made numerous appearances in American productions, before establishing herself in vertical series with a perf

On journalist Jen Cooper 's Vertical Drama Love channel, actor Nick Ritacco looks back on his career, his notable roles and his vision of vertical drama. A rising star in vertical drama, rewarded for his role as M in Crush on the Unwanted Princess , he is now working on a string of productions in a format that is undergoing rapid change. With his assertive presence and intense gaze, he has what we call a real cinematic face, an asset that is not lost on fans or platforms. A f